File:Elizabeth Taylor, late 1950s.jpg

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摘要

描述Elizabeth Taylor, late 1950s.jpg	English: Elizabeth Taylor in a publicity photo by MGM (she was in a contract with MGM until early 1960s), circa late 1950s.
日期	1950年代 date QS:P,+1950-00-00T00:00:00Z/8
来源	https://www.harpersbazaar.com/culture/features/g5333/vintage-elizabeth-taylor-photos/?slide=7
作者	MGM publicity still

许可协议

本作品属于公有领域，因为其是于1929~1963年之间在美国出版，且无论其是否具有著作权声明，它并未进行著作权更新。更多信息请参考Commons:Hirtle chart/zh及著作权更新日志。请注意该作品在其他对美国作品不适用较短期限法则的司法管辖区仍然受著作权保护（基于作者的逝世日期），如加拿大（作者过世后70年）、中国大陆（作者过世后50年，不包括香港和澳门）、德国（作者过世后70年）、墨西哥（作者过世后100年）、瑞士（作者过世后70年）及其他有本地条约的国家。

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Copyright details

Additional source information:

English: This is a publicity still taken and publicly distributed to promote a film actor.

As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
"[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."

评价


	本文件是波斯语维基百科特色图片（نگاره‌های برگزیده），并被视为最好的图像之一。如果你认为本文件应该被选为维基共享资源特色内容，请推荐本文件。如果你拥有相似质量的可采用适当著作权许可协议发布的图像，一定要上传、标记并推荐它。

文件历史

点击某个日期/时间查看对应时刻的文件。

	日期/时间	大小	用户	备注
当前	2020年8月5日 (三) 16:34	1,792 × 2,336（1.62 MB）	Qono	Reverted to version as of 07:02, 20 May 2020 (UTC) – On closer inspection, still too dark and too high contrast. This is the best of the recent revisions.
	2020年8月5日 (三) 16:22	1,792 × 2,336（1.56 MB）	Qono	Reverted to version as of 13:39, 29 July 2020 (UTC) Latest version is too dark
	2020年7月30日 (四) 08:34	1,792 × 2,336（1.44 MB）	CAPTAIN MEDUSA	c:User:Rillke/bigChunkedUpload.js:
	2020年7月29日 (三) 13:39	1,792 × 2,336（1.56 MB）	CAPTAIN MEDUSA	Clean up (removed dots, other stuff too)
	2020年5月20日 (三) 07:02	1,792 × 2,336（1.62 MB）	Lemonreader	Reverted to version as of 06:43, 20 May 2020 (UTC)
	2020年5月20日 (三) 07:01	1,792 × 2,108（1.52 MB）	Lemonreader	Slight crop
	2020年5月20日 (三) 06:43	1,792 × 2,336（1.62 MB）	Lemonreader	Crop from another version
	2020年5月20日 (三) 06:41	979 × 1,200（132 KB）	Lemonreader	Uploaded a work by Unknown from https://www.icollector.com/Elizabeth-Taylor_i26079347 with UploadWizard