文森·梵谷:Sorrowful old man
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作家 |
文森·梵谷
(1853–1890) |
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別名 |
Vincent Willem van Gogh |
描述 |
荷蘭畫家、畫家和版畫家 |
出生/逝世日期 |
1853年3月30日 |
1890年7月29日 |
出生/逝世地點 |
津德爾特 |
瓦茲河畔歐韋爾 |
作品年代 |
約1880年~1890年7月間 date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1880-00-00T00:00:00Z/9,P1326,+1890-07-00T00:00:00Z/10,P1480,Q5727902 |
創作地點 |
荷蘭 ( Etten, 海牙, Nuenen, …, 在1886年之前 date QS:P,+1886-00-00T00:00:00Z/7,P1326,+1886-00-00T00:00:00Z/9 ), 巴黎 (1886年–1887年), 亞爾 (1888年–1889年), 普羅旺斯地區聖雷米 (1889年–1890年), 瓦茲河畔歐韋爾 (1890) |
權威檔案 |
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artist QS:P170,Q5582 |
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標題 |
Nederlands: Treurende oude man English: Sorrowful old man |
物體類型 |
水彩畫 |
日期 |
在1882年11月到1882年12月之間 date QS:P571,+1882-00-00T00:00:00Z/9,P1319,+1882-11-00T00:00:00Z/10,P1326,+1882-12-00T00:00:00Z/10 |
表現方法 |
pencil, black lithographic crayon, wash, white opaque watercolour, on watercolour paper |
目前所在位置 |
institution QS:P195,Q1051928 |
登錄號 |
1017-28, cat van Gogh 1970, nr 81 |
物件歷史 |
- Oldenzeel Art Gallery, Rotterdam
- J. Hidde Nijland , The Hague [1895-1928]
- Dordrechts Museum, Dordrecht [loan Hidde Nijland 1904-1910]
- Kröller-Müller Museum, Otterlo, inv nr 1017-28, cat van Gogh 1970, nr 81
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展覽史 |
First exhibited 1895 The Hague |
題字 |
Nederlands: Atelier Vincent (links beneden); verso: Gekocht van de kunstkoper Oldenzeel te Rotterdam, Smart van Vincent van Gogh, Hidde Nijland, Dordrecht Dec. 1892 English: Studio Vincent (lower left); on the reverse: Bought from the art dealer Oldenzeel at Rotterdam, Sorrow by Vincent van Gogh, [by] Hidde Nijland Dordrecht, Dec. 1892 |
備註 |
Catalogues raisonnés:
- F998: Faille, Jacob Baart de la (1970年) [1928年] 《 The Works of Vincent van Gogh. His Paintings and Drawings》、阿姆斯特丹: J.M. Meulenhoff、998 號 .
- JH269 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, 號 269.
- The drawing is severely damaged. It was purchased by the Dordrecht art collector J. Hidde Nijland in 1892. Nijland's entire collection of 116 van Gogh drawings was sold in 1928 to the Dutch shipping magnate Anton Kröller, husband of Helene Kröller-Müller, for 100,000 guilders, and became the nucleus of the collection at the Kröller-Müller Museum.
- Vincent says in letter 287 that he made three versions of the subject from two models. The compositionally different F997 is presumed one of these, the other is lost. Both surviving versions were evidently modelled by Zuyderland.
- De La Faille follows the Kröller-Müller Museum in titling it A Man in Sorrow (c.f. the inscription on the reverse noted above). Hulsker titles it Old Man with His Head in His Hands, while the Van Gogh Museum refers to it as At Eternity's Gate in their notes to the letters. Vincent simply refers to the drawing as studies of an old man holding his head in his hands, and in a rare (Hulsker) description of his intent says that he was at pains to make an image of natural piety after Millet.
- Letters
- Letter 286 To Theo van Gogh. The Hague, Friday, 24 November 1882. Vincent van Gogh: The Letters. Van Gogh Museum. "Today and yesterday I drew two figures of an old man with his elbows on his knees and his head in his hands. I did it of Schuitemaker once [F863] and always kept the drawing, because I wanted to do it better another time. Perhaps I’ll also do a lithograph of it [F1662]. What a fine sight an old working man makes, in his patched bombazine suit with his bald head."
- Letter 287 to Anthon van Rappard. The Hague, Friday, 24 November 1882. Vincent van Gogh: The Letters. Van Gogh Museum. "You remember that drawing Worn Out [F863]? In the last few days I’ve done it again no fewer than three times with two models, and will labour on it some more. For the present I have one that will be the subject of a fifth stone, which thus depicts an old working man who sits and ponders with his elbows on his knees and his head (a bald crown this time) in his hands."
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參考文獻 |
- Naifeh, Steven and Smith, Gregory White. Van Gogh: the Life, New York: Random House, 2011. ISBN 978-0-375-50748-9, pp. 318-20 ff.
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來源/攝影者 |
Museum page |
授權許可 (重用此檔案) |
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Public domainPublic domainfalsefalse
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https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
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