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大卫·米切尔 (作家)

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维基百科,自由的百科全书
大衛·米切爾
David Mitchell
出生 (1969-01-12) 1969年1月12日55歲)
英格兰紹斯波特
職業小说家
國籍英国
母校肯特大学
創作時期1999-现在
代表作幽靈代筆英语Ghostwritten (novel)》、《九號夢英语number9dream》、《云图》、《黑天鹅绿英语Black Swan Green》、《雅各的千秋之年英语The Thousand Autumns of Jacob de Zoet
獎項John Llewellyn Rhys Prize英语John Llewellyn Rhys Prize
1999 《幽靈代筆英语Ghostwritten (novel)
受影響於Isaac Asimov, Augustine, Paul Auster, John Banville, Jorge Luis Borges, Mikhail Bulgakov, Italo Calvino, Peter Carey, Anton Chekov, Joseph Conrad, Don DeLillo, Bob Dylan, Neil Gaiman, Russell Hoban, Ursula K. Le Guin, Haruki Murakami, Vladimir Nabokov, Friedrich Nietzsche, George Orwell, Muriel Spark, Jun'ichirō Tanizaki, Richard Wright[1][2]

戴维·米切尔(英語:David Stephen Mitchell,1969年1月12日)是一位英格兰小说家。他已经发表了八本小说,其中有两本入围布克奖。他曾居住在意大利日本爱尔兰

生平

他生于英格兰紹斯波特。成长于伍斯特郡的Malvern。他获得了肯特大学比较文学英语文学美国文学)硕士学位。

他曾在意大利西西里岛居住过一年,后来移居日本的广岛市,在此教授英语和写作达8年时间[3]。現在他居住在愛爾蘭南部。

著作

深度阅读

  • Mitchell, D. January Man. Best of Young British Novelists 2003 (Granta). 2003 [2007-09-24]. (原始内容存档于2012-01-03). 
  • Linklater, A. The author who was forced to learn wordplay. Life & Style (London: The Guardian). 2007-09-22 [2007-09-23]. (原始内容存档于2008-07-04). 
  • Mitchell, D. (2009): The Massive Rat [1]页面存档备份,存于互联网档案馆) (Short Story published in "The Guardian" 01/08/2009)
  • Mitchell, D. (2009): Character Development [2]页面存档备份,存于互联网档案馆) (Short Story published in "The Guardian" 02/09/2009, taken from Amnesty International's anthology "Freedom")
  • The world begins its turn with you, or how David Mitchell's novels think. Chapter in B. Schoene. The Cosmopolitan Novel. Edinburgh University Press, 2009.

参考资料

  1. ^ Begley, Adam. David Mitchell, The Art of Fiction No. 204. The Paris Review. [2012-08-28]. (原始内容存档于2021-01-15). 
  2. ^ David Mitchell. Good Reads. [2012-08-28]. (原始内容存档于2013-11-08). 
  3. ^ "My wife and I moved to the UK in 2002 because it dawned on us, midway through her second trimester, that back in England I could support the soon-to-be three of us from my earnings as a writer alone. If we had stayed in Japan, on the other hand, where the cost of living was higher, I would have had to stick with the day job in order to bring home enough yen, and I would have been unable to help with the imminent arrival any more than an average Japanese husband—that is, not a lot." http://www.theparisreview.org/interviews/6034/the-art-of-fiction-no-204-david-mitchell页面存档备份,存于互联网档案馆

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