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笑容背后 After Laughter | ||||
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帕拉摩尔乐团的录音室专辑 | ||||
发行日期 | 2017年5月12日 | |||
录制时间 | 2016年6月—2016年11月 | |||
录音室 | RCA录音室B(田纳西纳许维尔) | |||
类型 | ||||
时长 | 42:31 | |||
唱片公司 | 拉面工坊 | |||
制作人 | ||||
帕拉摩尔乐团专辑年表 | ||||
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收录于《After Laughter》的单曲 | ||||
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《笑容背后》[1](英语:After Laughter)是美国摇滚乐团帕拉摩尔乐团的第5张录音室专辑,由拉面工坊于2017年5月12日发行,乐团前张专辑为2013年的同名专辑。《笑容背后》由吉他手泰勒·约克和先前的合作者贾斯汀·梅达尔-约翰森森共同制作。该专辑是自扎克·法罗回归(他与哥哥乔什于2010年离开乐团)和前贝斯手杰里米·戴维斯2015年离开乐团以来的首张专辑[2][3]。《笑容背后》完全异于乐团此前的流行庞克和另类摇滚风格,并在欢快和活泼的声音下,探讨疲惫、抑郁和焦虑等主题。
《笑容背后》获乐评人广泛赞誉,并赞扬乐团新的音乐方向、专辑的1980年代新浪潮和合成器流行风格。多家出版物,如《告示牌》和《滚石》,将该专辑列入其年终榜单。2019年,Pitchfork将该专辑列入最佳专辑十年榜第169名[4]。
《笑容背后》有5首单曲。〈Hard Times〉于2017年4月19日发行;〈Told You So〉于2017年5月3日发行;〈Fake Happy〉于2017年8月29日发行;〈Rose-Colored Boy〉于2018年3月2日发行;〈Caught in the Middle〉于2018年6月26日发行。该专辑发行首周以67,000张专辑等价单位在美国《告示牌》二百大专辑榜获第6名,为乐团第3张在榜单获前10名的专辑[5]。
背景与录制
2016年1月19日,乐团主唱海莉·威廉斯宣布乐团正在创作第5张专辑,乐团前张专辑为2013年同名专辑《帕拉摩尔乐团》[6]。6月7日,乐团官方帐号在社群媒体发布前鼓手扎克·法罗和制作人贾斯汀·梅尔达-约翰森入镜的照片[7],隔日发布乐团在录音室的短片[8],当月录制专辑[9][10]。6月17日,法罗再次于官方帐号发表的照片入镜,照片他坐在架子鼓旁,媒体称他很有可能已回归乐团[11]。法罗不久后澄清他只是为专辑录制鼓点,并非回归乐团[12]。该专辑于乐团发迹地纳什维尔的老牌录音室RCA录音室A制作,为乐团首次在发迹地录制专辑。该专辑由吉他手泰勒·约克和贾斯汀·梅尔达-约翰森共同制作,两人也曾制作乐团同名专辑[13]。专辑于2016年11月结束录制[14]。2017年2月2日,乐团宣布法罗以正式鼓手的身分回归乐团[15][16]。
威廉斯在接受《纽约时报》采访时表示:“我甚至不知道我们是否会再做一张专辑……有段时间我甚至不想去做(专辑)。然后又觉得,我想去做,但我不知道我们该怎么做”[17]。此外,威廉斯于《DIY》采访时提到,“我觉得我们仍经验不足,尤其是这张专辑。我感觉还可以尝试很多新事物,对生命也有不少新感受——你终于跨过否认自己已成年的那道坎。这是一张疯狂的专辑”[18]。
宣传与发行
On April 19, 2017, the lead single, "Hard Times", was released along with a music video.[13][19][20][21] On the same day, pre-orders of the album were made available,[13] revealing the album title, cover art, track listing, and release date.[13][19][20][21] A European headline tour was later announced via the band's official website, kicking off in Ireland on June 15.[22] Riot Fest also announced that Paramore would be part of the festival's lineup in September.[23][24] On May 3, the band released a second single from the album, titled "Told You So", along with a music video.[25][26] On May 10, the album leaked online before its official release.[27] On the day of the album's release, the band announced their third "Parahoy!" cruise, which took place from April 6 to April 10, 2018, sailing from Miami to Nassau, Bahamas.[28][29] On May 17, the band performed "Hard Times" on Jimmy Kimmel Live!,[30][31] Following this, on May 25, they performed "Told You So" on The Late Late Show.[32][33] On August 29, 2017, the band released "Fake Happy" as the third single from the album,[34][35] On February 5, 2018, a music video directed by Warren Fu for "Rose-Colored Boy" was released,[36][37][38] which is also the album's fourth single.[39] On June 26, 2018, a music video for "Caught in the Middle" was released, which also serves as the album's fifth and final single.[40][41]
词曲
音乐与歌词
After Laughter is a departure from Paramore's previous material, leaving behind the pop-punk and emo genres of previous releases entirely.[42][43] Matt Collar from AllMusic described the album's sound as new wave.[42] Ilana Kaplan at Paste characterized the album as 1980s new wave pop.[44] Similarly, Billboard's Chris Payne described it as an "early '80s new wave" album, as well as calling the songs on After Laughter "slick, sun-kissed alternative pop".[43] Marianne Eloise of The Forty Five described the album as synth-pop.[45] Brad Nelson of Spin also described the album as new wave, saying that "it's the band's brightest, most animated album. The sound is crisp, every layer discernible, lacking the blurs and reverberations that constitute traditional rock production and instead drawing from the rhythmic separations that characterize '80s pop and freestyle."[46] Glenn Gamboa from Newsday stated that the band is "pushing deeper into their own pop-rock world," and that the album has "the candy-colored energy of '80s pop built on sleek synths and spiky, Afrobeat-tinged guitars."[47] Pitchfork writer Ryan Dombal categorized the album a "piece of '80s pop-rock," stating "York focuses his inspirations the styles of 1980s rock and pop, conjuring a slicked-back take on fixtures like Talking Heads, Paul Simon, and the Bangles."[48] The Line of Best Fit's Dannii Leivers noted "the band have fully embraced chart-friendly, power pop."[49] According to PopMatters, "[the album] fuses sleek elements of '80s new wave, funk, and synthpop."[50] Punknews.org described the album as an "80s electro-pop album".[51] Eve Barlow from Variety observed "...these tunes builds upon the more ambitious, experimental sounds of radio stalker "Ain't It Fun" off their previous, self-titled LP, leaning on their crossover success."[52][53]
The album's lyrical content predominantly touches upon themes of exhaustion, depression, and anxiety.[46] NME said the album is a "pop triumph", highlighting the contrast between the "serious sadness" of the lyrics "underneath all the bangers".[54] Similarly, The Guardian called the album a "vibrant record, a contrast to its lyrical themes, which cover masking misery, spiralling depression and the anxiety of ageing, only with a knowing wink."[55] Newsday called the album "a collection of songs about remaining upbeat in the face of adversity that bounce around with."[47] Billboard said "Williams sings about the act of crying on no less than five songs, and there are numerous moments where she could be addressing the unfriendly exit and subsequent legal entanglements of former bassist Jeremy Davis."[43] Spin said the album "observes a different aspect of the subject of survival: the emptiness and pointlessness, and how often it fails to alter the indifferent universe that surrounds and requires it."[46] The Line of Best Fit said "despite all its sunny hooks, After Laughter is a deep album with plenty to say. It's easily the most honest and mature Paramore have sounded yet."[49]
歌曲与内容
Tracks 1–6
After Laughter opens with "Hard Times", a synth-heavy, disco-tinged new wave song about the feeling of going through hard times, and being useless in achieving one's goals.[42][48][56] "Rose-Colored Boy" is a synth-pop song that Rolling Stone compared to Cupid & Psyche 85 by pop group Scritti Politti.[57] "Told You So" is a song that has been described as funk-pop,[58][59] as well as new wave, indie pop and electropop.[26][60][61] "Forgiveness" is a "dreamy power ballad" which features "sassy handclaps and hairflicks", which has been compared to pop rock bands Heart, Fleetwood Mac and Haim.[54][43] NPR said the song is "the band's take on Haim's chiming California soft-rock revival."[62] Spin called it one of the band's best songs, "their gentlest and most buoyant kiss-off".[46] "Fake Happy" starts out as an acoustic dirge that transforms into an "ambitious, funky anthem about everyone masking their sadness."[47] "26" is a string-laden ballad that "sighs into its lush strings". It has been compared to the songs "Misguided Ghosts" and "The Only Exception" from their 2009 album, Brand New Eyes.[54][46][57]
Tracks 7–12
The seventh track "Pool", described as "aqueous" and "bouncy", is a new wave song that "bathes Williams' voice in crystalline distortion" and "shimmers like a mirage on a blazing day."[54][57][43] "Grudges" is "a sweet reflection of Williams' repaired relationship with both Farro brothers", with Zac Farro harmonizing on the track.[62] It has been compared by NME to The Bangles' work, whereas AllMusic compared it to The Cure's "Friday I'm in Love".[42][54] "Caught in the Middle" is a "ska-inflected" song of persistence and goal setting.[54][63] According to NME, it is one of the album's nods to their punk past, which they also compared to No Doubt's earlier music.[54] "Idle Worship" is a commentary about fame, with Williams' voice providing even more of a contrast to the stunning acridity of lyrics.[57] York revealed that he sampled wind howling through a building in the UK, then played the sample on a keyboard in the song.[64] The "moody" and "marauding" eleventh track "No Friend" has been described as post-hardcore.[62] It is the only Paramore song to not feature Williams on the vocals. Instead, Aaron Weiss from MewithoutYou is on the vocals, delivering a spoken word monologue buried in a cacophony of York and Farro's dark inversions of the "Idle Worship" riff. The lyrics add metrical detail to the sentiments of "Idle Worship", a song about interpersonal expectations, and the vast distance between one's self-conception and the idea of oneself that exists in the minds of others,[46][57] Many of its lyrics also make references to past Paramore songs.[62] Several publications referred to it as "the strangest song that's ever made it to a Paramore album."[43][48][65] The album closes with "Tell Me How", a tender piano ballad which features a "vaguely tropical pulse and warily confessional words" that allows Williams' voice to curl around and into expressions of anxiety that sound impossible to quiet.[43][48][57] It's been characterized as "a soft R&B exploration disguised as a piano ballad" by NPR, who compared it to works by Drake and The Weeknd.[62]
标题与封面
Regarding the album's title, Williams told iHeartRadio that "After Laughter is about the look on people's faces when they're done laughing. If you watch somebody long enough, there's always this look that comes across their face when they're done smiling, and I always find it really fascinating to wonder what it is that brought them back to reality. So, that's what After Laughter is."[66]
The artwork of After Laughter, which features an impossible trident optical illusion, was designed by Los Angeles–based designer Scott Cleary. It reflects a new sound and direction for the band. Cleary stated:[67]
The band came to me when they were recording the album in LA. We've been friends for a while so we were spending a lot of time together while they were in town from Nashville. They asked me if I'd be interested in doing the album artwork and band re-brand, to which I jumped at the chance. They had some ideas around the 80s vibes of the record, and a few visual references they were feeling. I did the usual "listen to the record, write/draw a bunch of stuff" and came up with the idea of a landscape where colors, shapes and textures would represent sounds and moments on the record...Sonically, the record is very "real" and I wanted the imagery details to have that finishing touch as well.
According to Cleary, his artwork was "the first piece of visual material that accompanied the new record and the band wanted a super-cohesive roll-out", therefore the music video for the lead single "Hard Times" was "very much influenced by the artwork."[67]
专业评价
综合得分 | |
---|---|
来源 | 评分 |
AnyDecentMusic? | 7.9/10[68] |
Metacritic | 82/100[69] |
评论得分 | |
来源 | 评分 |
AllMusic | [42] |
Consequence | B[70] |
Drowned in Sound | 8/10[71] |
The Guardian | [55] |
Newsday | A−[47] |
NME | [54] |
Pitchfork | 7.5/10[48] |
Rolling Stone | [57] |
Sputnikmusic | 4.1/5[65] |
USA Today | [72] |
After Laughter received critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 82, based on 15 reviews, indicating "universal acclaim".[69]
Matt Collar at AllMusic commented that "much credit here goes to York, who co-wrote all of the songs and whose deft guitar and keyboard make up much of the album's distinct aural character. But of course, Williams still beats at the center of everything, her voice providing the album's warm, exuberant core."[42] Brice Ezell of Consequence stated "Colorful instrumentation and insistent hooks overpower the uneven parts of the band's fifth studio outing".[70] Joe Goggins writing for Drowned in Sound described the band as being as "Musically...free as they've ever sounded [on this album]."[71] In a positive review, Harriet Gibsone at The Guardian said the album is "candy-coated bitterness at its best – may steer them away from the Kerrang! crowd, but one thing remains consistent to Paramore's emo roots – the theatrical mellifluence of internal angst."[55] Dannii Leivers of The Line of Best Fit called it a "deep album with plenty to say" and "one of the best pop albums [of the] year."[49]
Writing for Newsday, Glenn Gamboa praised the album, stating that "the closer Paramore gets to breaking up, the better it gets at finding reasons to stick together," adding that the album "is packed with potential pop hits that only Paramore could deliver. And that's the perfect reason for the group to keep going."[47] Leonie Cooper from Jon Caramanica from The New York Times noted that Paramore are "single-minded again, but not of the same mind as it once was. Ms. Williams and her bandmates, Zac Farro and Taylor York have remade themselves into a 1980s pop-rock outfit: tinny digital percussion, synthesizers and mostly constrained, saccharine singing from Ms. Williams."[73] NME gave the album 4 out of 5 stars, writing: "Catharsis is never usually this joyous, but sometimes smiling through the pain works better than crying."[54] Laura Snapes of 'The Observer called the album "one of the year's best pop albums."[74]
Iiana Kaplan of Paste said After Laughter is "an undeniably hooky record that strays from its grunge-rock roots and finds the band in a place where they've found the fun in their craft once again." Kaplan also stated that the Williams people love is still around, while noting "Once immersed in the pop-heavy album that is After Laughter, it becomes clear that the less angsty outlook of Paramore is something only surface-level. If you look beneath, it shows Williams battling with herself to make amends ("Forgiveness", "Caught In The Middle") and put on a front to the public ("Fake Happy")."[44] Pitchfork writer Ryan Dombal described it as the band's most "fizzy" album, adding that it "highlights Williams' most existentially despondent musings to date."[48] Maura Johnston of Rolling Stone was positive towards the writing stating, "[the] lyrics evince a weariness that makes [the brightness of the album] seem garishly empty and called the album a "gorgeously produced, hook-studded record."[57] Sputnikmusic staff writer Sowing described the album as the "fresh start" that the self-titled album was meant to be, adding "After Laughter is the first post-2010 Paramore record to truly break form," mentioning "No Friend" and "26" as discography highlights.[65] Patrick Ryan writing for USA Today noted that "Paramore is clearly aiming for more radio-friendly music here, but their deceptively moving lyrics and audacious fusing of genres is what makes it such a rewarding listen."[72]
In a fifth anniversary retrospective review of the album, Yasmine Summan from Alternative Press considered it to be a "saving grace" for the band, and stated "Right now there might not be a Paramore as we know it, but with Zac's return, York's incredible talents and Williams having a place to confront her emotions, this album not only earns its acclaim for its chart-topping successes but is as crucial to the band's growth as Riot! or brand new eyes."[75]
获奖纪录
出版物 | 奖项 | 排名 | 参考 |
---|---|---|---|
AllMusic | AllMusic 2017年最佳专辑 | 不适用 | |
《告示牌》 | 2017年50佳专辑 | 15
|
|
《前音后果》 | 2017年50大专辑 | 45
|
|
Drowned in Sound | Favourite Albums of 2017 | 13
|
|
《NME》 | 2017年度专辑 | 20
|
|
《Noisey》 | 2017年100佳专辑 | 33
|
|
全国公共广播电台 | 2017年50佳专辑 | 50
|
|
《PopMatters》 | 2017年60佳专辑 | 52
|
|
《滚石》 | 2017年50佳专辑 | 25
|
|
The Skinny | Top 50 Albums of 2017 | 14
|
|
Stereogum | The 50 Best Albums of 2017 | 37
|
|
Time Out New York | The Best Albums of 2017 | 8
|
商业表现
After Laughter debuted at number six on the US Billboard 200, making it their third top 10 on the chart, with 67,000 album-equivalent units, of which 53,000 were pure album sales,[87] and was certified gold by the RIAA for shipments of 500,000 albums.[88] It also debuted within the top 10 of seven other countries including Australia, Austria, Canada, Ireland, New Zealand, Scotland and the UK.
曲目
After Laughter track listing | |||
---|---|---|---|
曲序 | 曲目 | 词曲 | 时长 |
1. | Hard Times | 3:02 | |
2. | Rose-Colored Boy |
| 3:32 |
3. | Told You So | 3:08 | |
4. | Forgiveness | 3:40 | |
5. | Fake Happy | 3:55 | |
6. | 26 | 3:40 | |
7. | Pool |
| 3:52 |
8. | Grudges |
| 3:06 |
9. | Caught in the Middle | 3:34 | |
10. | Idle Worship | 3:18 | |
11. | No Friend |
| 3:24 |
12. | Tell Me How | 4:20 | |
总时长: | 42:31 |
制作团队
Paramore
- Hayley Williams – lead and background vocals, keyboards, percussion
- Taylor York – background vocals, guitars, keyboards, programming, percussion, marimba, production, additional mixing, engineering
- Zac Farro – background vocals, keyboards, drums, percussion, bells
Additional musicians
- Justin Meldal-Johnsen – bass guitar, keyboards, programming
- Zelly Boo Meldal-Johnsen – background vocals (2)
- David Davidson – violin (6)
- Benjamin Kaufman – violin (6)
- Betsy Lamb – viola (6)
- Claire Indie Nunn – cello (6)
- Daniel James – string arrangement (6)
- Aaron Weiss – lead vocals (11)
Technical
- Justin Meldal-Johnsen – production, engineering
- Carlos de la Garza – mixing, engineering
- Mike Schuppan – engineering, additional mixing
- Kevin Boettger – assistant engineering
- Dave Cooley – mastering
Artwork
- Scott Cleary – art direction, design
- Ken Tisuthiwongse – photography for artwork
- Lindsey Byrnes – band photography
- Brian Ranney – packaging production
排行榜
周榜单
|
年榜单
|
销量认证
地区 | 认证 | 认证单位/销量 |
---|---|---|
英国(英国唱片业协会)[117] | 金 | 100,000‡ |
美国(美国唱片业协会)[88] | 金 | 500,000‡ |
‡仅含认证的流媒体+实际销量 |
参考资料
- ^ 笑容背後(歐洲進口盤). 五大唱片. [2024-07-18] (中文(台湾)).
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- ^ Luke Morgan Britton. Paramore appear to confirm return of original member. NME. 2017-02-02 [2023-01-01].
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